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Comparing and analyzing the style of Amirhoshang

Ebtahaj and Manouchehr Atashi's poems

Sakina Jafari
1
Master's student of Persian Language and Literature, Open University, Al-
Mustafa International University of Qom, Qom, Iran

Supervisor: Zahra gholami
2
Assistant Professor, Department of Persian Language & Literature, Open
University, Al-Mustafa International University of Qom, Qom, Iran

Abstract

The present study was conducted to carry out an analytic study of some poems of Amir
Hushang Ebtehaj compared with major poems of Manuchehr Atashi. To this end some
verses from the poem books of Hushang Ebtehaj and Manuchehr Atashi were extracted
and then they were analyzed and explicated respectively. The major findings of the
study show that the aforementioned poets are among the contemporary stylistic and
movement maker poets who have created artistic works in both areas of traditional and
modern poetry styles and have special linguistic structure and modern imaging. Atashi
and Ebtehaj fell in love with Nima School and first they write their poems in accord
with Nima’s poetry and in line with him. This significance started from before the
revolution and just from the beginning of the contemporary era and has continued up to
now. The elements of nature in the poetry of Atashi and Ebtehaj are among the most
significant raw materials to make images. The main difference between the linguistic
mechanism of the traditional poetry of Atashi and Ebtehaj is that the poetry image in
Ebtehaj’s works is not quite various and this feature has lead to the ‘univocal’ quality of
the poetry. While Atashi in modern poetry tries to go beyond the transference of
meaning and create a new world of words, sounds and colors and create the ‘polysemy’
language in his poetry.

Key words: Hushang Ebtehaj, Manuchehr Atashi, Style, imagination, content,
imagery

1 Email: sakina.attaei@gmail.com
2 Email: zgholami@hotmail.com